The Literary London podcast. (general)

Nick Hennegan launches the festive season by exploring his relationship with Charles Dickens’ A Christmas Carol, including how his Junior School helped inspire a current UK tour with Guy Masterson. It features a reading by the Olivier Award-winning actor. With Music by Cerys Matthews and Robb Williams.

For details of where you can see the show now, see www.TheChristmasCarol.co.uk

 

Direct download: Literary_London-_Christmas_and_Cerys_-_TX_3122022.mp3
Category:general -- posted at: 3:08pm UTC

Nick Hennegan looks at Soho, Pubs on Dean Street, Karl Marx andDylan Thomas with his lost script and A Visit To America.
Direct download: Literary_London_-_Soho_and_Dylan_Thomas_-_TX_26112022.mp3
Category:general -- posted at: 8:04pm UTC

Nick Hennegan talks to young London-based New Yorker, singer songwriter Esme White, about her first single Pearly Gate Crashers and her career to date. See the video at -www.BohemianBritain.com 

Direct download: Literary_London_-_Esme_White_-_TX_12112022.mp3
Category:general -- posted at: 3:00pm UTC

A Bohemian lifestyle guide..!

brown wooden letter letter letter blocks

Photo by Brett Jordan on Unsplash

Failing early in our careers can make us question whether we are on the right path. We may look at people who have succeeded from the outset and wonder why it doesn’t come so easily to us. Classical violinist Nigel Kennedy, actor Natalie Portman and painter Pablo Picasso are examples of young geniuses who were successful early on.

But for some of us, failure at the beginning of our careers is important to later success. For many creatives, how we deal with those moments when things aren’t going right or you’ve received yet another rejection letter can make or break us.

The author and self-improvement lecturer Dale Carnegie maintained that inaction breeds doubt and fear; action creates confidence and courage, which inevitably ends up helping a person to succeed. This chimes with what American psychologist Carol Dweck outlines in her 2006 book Mindset.

Dweck discusses the concept of people with a “fixed mindset” versus a “growth mindset”. The former is a way of thinking where there is a lack of self-belief and a negative persona while the latter is where no challenge or task is too large to take on board. Which mindset you have dictates how you will interpret failure and success and how well you approach everyday life.

A passion for learning and a desire to improve upon failure creates opportunities to learn and challenge yourself. This mentality is a boon to creatives. While yes, there are the Picassos and Portmans of the world, there are also a few famous creatives who had to overcome failure early on in their careers. These individuals demonstrate the “growth mindset”.

Rejection doesn’t have to kill dreams

A young schoolteacher from Maine, US, was a passionate part-time writer who worked tirelessly trying to get his novels published (unsuccessfully) in the late 1960s. He continued to believe in himself and chase the dream of becoming a successful author. But sometimes the reality of failure gets the better of a person and after 30 rejections he famously threw his fourth attempt at a novel away.

Fortunately, the manuscript was saved by his wife who, having confidence in his work, persuaded him to continue trying. Eventually, the novel was sold for an advance of £2000, a nice bonus for a schoolteacher. The publishing rights were ultimately purchased for an additional £200,000 and the novel Carrie turned Stephen King into a household name.

A young Stephen King failed to get his first three books published and nearly gave up on the fourth. Archivo/Alamy

Dreams can propel us forward but they can also be crushed by rejection. The composer Johnathon Larson spent years working on his 1991 musical Superbia only for it to be turned down by theatre producers. He was told by his agent to “go away and write something you know about”.

This was a crushing moment for Larson. Eight years of work rejected. However, he listened to the advice and his next musical Rent premiered on Broadway in 1996, becoming a box office sensation. The semi-autobiographical Tick, Tick Boom, which Larson began performing as a one-man show in 1990, went on to also be a hit when it premiered in 2001. It has recently been turned into a major motion picture directed by Lin-Manuel Miranda (creator of Hamilton).

Larson’s secret was to learn from failure and take on the advice given to him. He used that experience to propel himself forward. Sadly, Larson never witnessed his triumph, he died on the eve of Rent’s Broadway premier in 1996 from an aortic dissection. But his life, including his failures, made him successful. His roadblocks became his inspiration. Both of his successful productions tell the stories of larger-than-life characters struggling with their failings while trying to achieve a degree of success.

Overcoming difficult circumstances

There are situations in life that conspire to make us fail. However, adversity can often act as a springboard of determination to succeed. My turning point as a youngster was failing my grade five music theory exam. That one singular event, although heartbreaking, made me determined to succeed in music and become a composer and producer of Scottish Musicals.

Others deal with much more difficult circumstances. Imagine being homeless, penniless with partial facial paralysis, yet dreaming of an acting career. Never-ending rejection from talent scouts and agents, hours of waiting for appointments that never materialise, such a life would be demoralising. However, the realisation of personal failure can become the catalyst for success.

This real-life scenario eventually earned Sylvester Stallone over £178 million and catapulted his writing and acting career to stardom. He didn’t let these circumstances, which led to failure, stop him. The key here is that he believed in his ability and that drove him onward. Continual failure reinforced his resolve to succeed.

Steven Spielberg had poor high school grades and was rejected three times from film school. He battled through his early career failures before eventually directing 51 films and winning three Oscars. Again, it was his perseverance and self-belief that drove his determination to succeed.

We might never become the next Spielberg, King, or Larson but the lesson learned from their experiences is a sharp reminder of the mantra of playwright Samuel Beckett:

“Ever tried. Ever failed. No matter. Try again. Fail again. Fail better.”

Failure is not damaging, it is part of a proactive progression and once we learn to accept that we might be unstoppable. I eventually passed my grade five theory exam and went on to get two degrees and a Ph.D. in musical theatre, the rest is history … my personal history began with a failure for which I am very proud.

 

Stephen Langston

Senior Lecturer and Programme Leader for Performance, University of the West of Scotland writing for The Conversation.

https://bohemianbritain.com

Category:general -- posted at: 5:05pm UTC

Nick Hennegan talks to writer Elika Ansari, about her new novel, ‘The Five Stages of Moria: “The Worst Refugee Camp on Earth”’ based on true stories from her time as a worker in the camp.

See the video recording at www.BohemianBritain.com 

Direct download: Literary_London_-_Elika_Ansari_interview.m4a
Category:general -- posted at: 3:30pm UTC

Nick Hennegan presents unique music from some of the new musicals he attended at the Edinburgh Festival Fringe 2022 - including a new folk musical - Prejudice and Pride, the classic The Choir Of Man - and the new ballet, Hamlet, starring Sir Ian McKellen.

Also at www.BohemianBritain.com

Direct download: Lit_London_-_Ed_Songs_2_-_TX_22102022.mp3
Category:general -- posted at: 6:47pm UTC

Nick Hennegan presents unique music from some of the new musicals he attended at the Edinburgh Festival Fringe 2022 - including the new ballet, Hamlet, staring Sir Ian McKellen.

www.BohemianBritain.com

Direct download: Literary_London_-_EdSongs_Part_1_-_TX__-_15102022.mp3
Category:general -- posted at: 1:30pm UTC

Nick Hennegan celebrates National Poetry Day with poems from some of the greatest names in the world... and some of his own!

Also on BohemianBritain.com 

Direct download: Nationonal_Poetry_Day_22_-_TX_08102022_MP3.mp3
Category:general -- posted at: 7:55pm UTC

🍷🍷🍷🍷 🥃 (4 glasses out of 5, PLUS a shot !)

It’s always a novelty going to see a play with a name you find hard to pronounce! But having done a bit of research (you’re welcome!) it turns out the story is based, as so many brilliant stories are, on an Ancient Greek myth. And Splott is in Wales.

So good, so classical. But there is a burning contemporary edge to this story. Set in Wales, the modern name for our heroine is Effie… a Slapper and Dirty Skank. Although, of course, she is neither of these.

To be honest, I always get a bit nervous, when ‘working-class’ characters are presented through the prism of largely middle-class theatre practitioners. And this does miss a few beats and isn’t perfect — we occasionally lose some of the dialogue — but generally writer Garry Owen has created a classic character that I identify with as working-class myself. I instantly recognised and sympathised with the frustration of few opportunities, lack of self-worth and over compensation for an emptiness many working class people feel.

Sophie Melville gives a great performance that mixes elements of a wild Irvine Welsh character and a still Alan Ayckbourn monologue. Indeed, having just returned from the home of one-person shows, the Edinburgh Fringe, (where this show appeared some time ago) it is full of paradoxes: a monologue constrained by singularity through its form, but a production which feels peopled by an entire Welsh town. And an epic tragedy captured by a white working-class woman with no hint of ‘Vicky Pollard’ despite her scraped-back hair, snarls, three day piss-ups, hangovers and street brawls. She is eminently ordinary but exceptional in her heroism, too. And director Rachel O’Riordanmust take credit for her pacing and variation of the piece — and of course, for commissioning Gary Owen’s lyrical script back in 2015.

It’s a modern classic in a beautiful theatre and feels even more relevant now than when it was first created in Austerity Britain. The play is brutally effective in depicting the human cost of the cuts and closures and ends on a note of accusatory fury. Yet its politics are surprisingly subtle.

The name may be a bit confusing, but this is a quality piece that makes perfect sense. Go see it.

Category:general -- posted at: 7:14pm UTC

Nick Hennegan was at the 14th Chiswick Book Festival, at the local author's party, where the writers have 2 minutes against the clock to talk about their books - or get ‘horned’ off! This is the final part. And we hear from the founders of The Space UK - enterprising venues at the Edinburgh Fringe.

Also at BoheminaBritain.com

Direct download: Literary_London3_-_The_Space_and_Book_Festival_-_TX_1102022_20.53.mp3
Category:general -- posted at: 6:13pm UTC